The dance is performed in the stage as Nritham, Nrithyam and Natyam. Bharatanatyam is based on the theories of the books 'Natyasaasthram' and 'Abhinaya Darpanam'. The dance form is based on 'Adavu' (steps) and 'Hasthamudra' (hand gestures). There are 64 basic 'Adavu' and they are divided into 9 parts, on which 'Thattadavu', 'Naatadavu', 'Kuthithumettadavu', 'Mandiadavu', 'Sarikkal' and 'Thattumettu' are very important. Communication is done through 'bhavabhinaya' (facial expression) and 'hasthamudra' (hand gestures). The performance starts with the prayers to God Ganapathi and worship of Nataraja Moorthi.

We the people of the 21st century can imagine different things when hearing the word "Jazz". Both jazz music and dance through the evolution from its deep roots from 16th century up to the contemporary times has become such a complex subject that it is hardly possible to describe it in one sentence. Regarding this, I like the term elaborated by Patricia Cohen towards jazz dance which she calls "the CONTINUUM" that is established by historical, cultural, social and kinetic continuity of African-American dance form.

Contemporary dance is the most expressive and subjective dance form, making it more accessible to outsiders and helpful as a supplement to other dance training. Contemporary choreography techniques help dancers harness the energy and emotion of their own bodies, resulting in a more fluid and organic form of movement that can appear effortless and completely improvised to the casual observer.